With so many fast computers and hard drive solutions now on the market, RAW has become a lot more feasible format to work with. It allows you to transcode your footage to an editable format, and with this latest update, it can now handle RAW formats.ĮditReady supports the following RAW formats:
#EDITREADY KEYWORDS SOFTWARE#
EditReady RAWĮditReady has always been a useful piece of software for when your NLE didn’t support your camera’s codec or container. Canister has been transformative for LTO users, and now it supports Spanning – the ability to span file transfers across multiple tapes. The latest release, which is also the first new version of EditReady since it became part of Hedge, solves the problem of converting RAW footage quickly into an editable format.Ĭanister Spanning – Until Hedge released Canister, an easy-to-use, drag-and-drop interface and cataloguer for LTO, users were held back by an unfriendly, overly technical software experience. Hedge Elements is ideal for organizations that need their video files to conform to their organizational structures and procedures, whether ad hoc or rigidly formal.ĮditReady RAW– The popular, blazingly fast, and easy to use transcoding application now supports RAW video, including ARRI RAW, Codex HDE, ProRes RAW, and RED R3D, and Blackmagic RAW. Hedge Elements – Elements are Hedge’s term for the varied and customizable metadata that users can now associate (and keep) with a file to clarify the role of that file to other creative and technical professionals later in the workflow. These latest updates address common problems such as dealing with unorganized media that requires custom-built metadata fields, RAW transcoding, and ensuring individual media archives can span multiple LTO tapes.
#EDITREADY KEYWORDS LICENSE#
Simple, predictable pricing.Īn EditReady license is perpetual, works on Mac, and includes a year of updates and support.Hedge has updated all three of its major platforms. Use the overlay tool to burn-in timecode, reel names, shoot dates, media names, and other metadata. Layout custom formatted text, including metadata values from the source media. Import images with alpha channels to apply complex bugs or watermarks. Use the overlay editor to position graphical elements for compositing on top of your video. Play back, trim, add LUTsĪnd there's more: screen your camera's original media files before you transcode them, apply a LUT to preview your Log media with or without a specific predetermined look, check your previewed clip in ScopeBox via our integrated ScopeLink connection, and set In and Out points to avoid transcoding unwanted parts of your clips. EditReady's unique color pipeline make this a breeze, translating everything to what you need it to be, without compromises. When a shoot mixes camera formats, you'll end up with a variety of color spaces, Log types, HDR formats, and LUTs. The end result? A high quality proxy that's easy to edit with, with all the flexibility a non-RAW format carries. EditReady uses each vendor's specific RAW decoder, using the vendor preferred Log format to reflect the original shooting intent. Use metadata to automatically rename files, or burn data into overlays. Review and edit metadataĮditReady lets you view and edit all of the metadata associated with your file, including location data, camera settings, and diagnostic information.
Every codec gets transcoded as its makers intended it to. No unofficial frameworks, and zero hacks. Using each manufacturers' original SDK wherever possible to ensure the best quality transcodes.
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